Richard is done tuning; he turns to his violinist,
calls her his conscience, names her Sarah.
She can’t find an unattractive way to hold her violin.
Maybe better half’s a bit closer.
Behind, the guitarist starts, lights
his corner with a mess of motion
and stage-cyan peeking through wispy hair
and he croons silently to his guitar
and the words are all “help” and his limbs seize and kick
and I can hear that he’s driving the song.
Friday, March 8, 2013
Saturday, October 27, 2012
Heights
Sex is such a funny thing -
I mean gender - don't get me wrong,
I mean gender - don't get me wrong,
but I wrote code because they
said that I couldn't, or shouldn't,
or some such, and because Blaekley
stood a little higher
to talk down to me.
Thursday, October 18, 2012
Torchlight 2: A Lesson in Lost Lessons
I bought Torchlight 2 on launch. Yesterday, about two hours into it, I found myself wondering why I wasn't having fun. And... it's because Torchlight 2 was more of the same - just more Torchlight. Torchlight itself was an exercise in frustrated design - it had so much promise that was ruined by poor mechanics and a misunderstanding of fun. How?
Thursday, September 27, 2012
Wednesday, September 26, 2012
Insight
The little cogs and fly-wheels
break through, or we broke
in, or somehow they’re exposed,
pulsing gutly in nakedness,
and the daemon known as
‘algorithm’ is visible, chanting
in strange, artificial languages,
where such things have heft.
break through, or we broke
in, or somehow they’re exposed,
pulsing gutly in nakedness,
and the daemon known as
‘algorithm’ is visible, chanting
in strange, artificial languages,
where such things have heft.
Wednesday, September 19, 2012
Changes (Bowie)
The car goes into park easily,
as such old things are wont
(being easy off, but troubled on),
and I would have no sympathy,
but the fact that yesterday
was work again, and I felt
far past my listed mileage.
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